I am also what surrounds you:

Backdrop addresses cowboy

By Margaret Atwood

Starspangled cowboy

sauntering out of the almost-

silly West, on your face

a porcelain grin,

tugging a papier-mâché cactus

on wheels behind you with a string,

you are innocent as a bathtub

full of bullets.

Your righteous eyes, your laconic

trigger-fingers

people the streets with villains:

as you move, the air in front of you

blossoms with targets

and you leave behind you a heroic

trail of desolation:

beer bottles

slaughtered by the side

of the road, bird-

skulls bleaching in the sunset.

I ought to be watching

from behind a cliff or a cardboard storefront

when the shooting starts, hands clasped

in admiration,

but I am elsewhere.

Then what about me

what about the I

confronting you on that border,

you are always trying to cross?

I am the horizon

you ride towards, the thing you can never lasso

I am also what surrounds you:

my brain

scattered with your

tincans, bones, empty shells,

the litter of your invasions.

I am the space you desecrate

as you pass through.

Blessing of Allah

Alhamdulillah for having a horrible memory.

One of these...

Nightclub

by Billy Collins

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.
For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.
Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.