The softness of a touch
The cleanliness of a kiss
The calmness of a love
The potential of a wish
You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.
For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.
Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.
by Nazia Naqvi USA |
|---|
| |
| The silence between the gunshot and the drop... |
Your hope in my heart is the rarest treasure
Your Name on my tongue is the sweetest word
My choicest hours
Are the hours I spend with You --
O Allah, I can't live in this world
Without remembering You--
How can I endure the next world
Without seeing Your face?
I am a stranger in Your country
And lonely among Your worshipers:
This is the substance of my complaint.
- Rabi'a Basri
The Country
by Billy Collins
I wondered about you
when you told me never to leave
a box of wooden, strike-anywhere matches
lying around the house because the mice
might get into them and start a fire.
But your face was absolutely straight
when you twisted the lid down on the round tin
where the matches, you said, are always stowed.
Who could sleep that night?
Who could whisk away the thought
of the one unlikely mouse
padding along a cold water pipe
behind the floral wallpaper
gripping a single wooden match
between the needles of his teeth?
Who could not see him rounding a corner,
the blue tip scratching against a rough-hewn beam,
the sudden flare, and the creature
for one bright, shining moment
suddenly thrust ahead of his time -
now a fire-starter, now a torchbearer
in a forgotten ritual, little brown druid
illuminating some ancient night.
Who could fail to notice,
lit up in the blazing insulation,
the tiny looks of wonderment on the faces
of his fellow mice, onetime inhabitants
of what once was your house in the country?
| Facing It | ||
| by Yusef Komunyakaa | ||
My black face fades, | ||